Edmond Rostand, best known for his play about a poet with a big nose, takes a sharp turn here. Instead of writing a play or a novel, he crafts a literary thought experiment. He imagines bringing together two famous French writers from Provence who couldn't be more different.

The Story

There's no traditional plot. The 'story' is the conversation itself. Rostand introduces us to Honoré d'Urfé, whose massive work L'Astrée was all about idealized love, shepherds in perfect landscapes, and complex codes of chivalry. Then he brings in Émile Zola, who wrote about real, often ugly, human struggles—poverty, alcoholism, and the harsh realities of industrial life. Rostand puts them in a room (or perhaps a sunny Provençal garden) and lets them talk. They argue about beauty versus truth, escapism versus realism, and what the true purpose of a novel is.

Why You Should Read It

This book is a treat because it feels like eavesdropping on a brilliant dinner party debate. Rostand doesn't just report facts; he has a clear affection for both writers and a sharp eye for the humor in their opposition. You don't need to have read L'Astrée or Germinal to get it. Rostand sets the stage so well that you understand the core of their conflict: is literature a beautiful escape from the world, or a mirror held up to its flaws? It’s a fast, engaging read that makes big literary ideas feel accessible and personal.

Final Verdict

Perfect for curious readers who enjoy books about books, or for anyone who’s ever argued with a friend about whether a story was 'too depressing' or 'unrealistic.' It's for fans of Rostand's wit, for literature students who want a painless dose of criticism, and for anyone who likes the idea of time-traveling authors having a spirited chat. Think of it as a literary amuse-bouche—small, flavorful, and guaranteed to spark your own thoughts about the stories you love.